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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Andrea del Sarto
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one. |
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Andrea del Sarto
The Holy Family with the Infant St.John
1530
The Metropolitan Museum of Art, New York
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Andrea del Sarto
Pieta
1519-20
Art History Museum, Vienna
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Andrea del Sarto
Portrait of a Young Man
1517
National Gallery, London
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Andrea del Sarto
The Annunciation
1512
Galleria Palatina, Florence
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Andrea del Sarto
The Annunciation f7
1512-13
Oil on wood, 183 x 184 cm
Galleria Palatina (Palazzo Pitti), Florence
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Andrea del Sarto
Birth of the Virgin gfg
1513
Fresco, 413 x 345 cm
SS. Annunziata, Florence
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Andrea del Sarto
Baptism of the People ccd
1515-17
Fresco
Chiostro dello Scalzo, Florence
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Andrea del Sarto
Study for the Baptism of the People f
c. 1515
Red chalk, 314 x 186 mm
National Gallery of Victoria, Melbourne
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Andrea del Sarto
Madonna of the Harpies fdf
1517
Oil on wood, 208 x 178 cm
Galleria degli Uffizi, Florence
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Andrea del Sarto
Madonna of the Harpies (detail) fgfg
1517
Oil on wood
Galleria degli Uffizi, Florence
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Andrea del Sarto
Disputation over the Trinity
1517
Oil on wood, 232 x 193 cm
Galleria Palatina (Palazzo Pitti), Florence
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Andrea del Sarto
Portrait of the Artist s Wife
1513-14
Oil on panel, 73 x 56 cm
Museo del Prado, Madrid
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Andrea del Sarto
Madonna and Child with the Young St John
c. 1518
Oil on canvas, 154 x 101 cm
Galleria Borghese, Rome
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Andrea del Sarto
Madonna and Child with Sts Catherine, Elisabeth and John the Baptist
1519
Oil on canvas transferred from wood, 102 x 80 cm
The Hermitage, St. Petersburg
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Andrea del Sarto
Portrait of a Woman with a Basket of Spindles
c. 1517
Oil on wood, 76 x 54 cm
Galleria degli Uffizi, Florence
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Andrea del Sarto
Christ the Redeemer ff
Wood, 47 x 27 cm
SS. Annunziata, Florence
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Andrea del Sarto
Holy Family fgf
1520
Panel, 129 x 105 cm
Galleria Palatina (Palazzo Pitti), Florence
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Andrea del Sarto
Stories of Joseph ss
c. 1520
Panel, 98,3 x 135 cm
Galleria Palatina (Palazzo Pitti), Florence
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Andrea del Sarto
Stories of Joseph dsss
c. 1520
Panel, 98 x 135 cm
Galleria Palatina (Palazzo Pitti), Florence
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Andrea del Sarto
Lamentation of Christ gg
c. 1520
Oil on wood, 99 x 120 cm
Kunsthistorisches Museum, Vienna
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| Andrea del Sarto
|
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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